

ABOUT ME
My journey began in Tasmania, where I was first cast as Eponine in Les Misérables — a role that sparked a lifelong career in performance. I went on to train in Musical Theatre at the National Theatre in Melbourne before landing my first professional role in Fiddler on the Roof, starring Topol — an experience that took me to London’s West End in 2000.
From there, my acting career expanded across stage and screen, including the lead role of Priya in Andrew Lloyd Webber’s Bombay Dreams. Early in my time in London, I had the privilege of performing in the Olivier Award-winning Merrily We Roll Along at the Donmar Warehouse, directed by Michael Grandage, working alongside Stephen Sondheim — a defining moment in my career.
My theatre work also includes productions at the National Theatre, alongside film and television roles including Bollywood features and a guest lead in Holby City.
Voice work became a natural extension of that career after being cast in Doctor Who audio dramas for BBC Big Finish Productions — and it quickly became a central focus.
Since establishing my home studio in 2013, I’ve worked extensively as a voice artist across audiobooks, commercials and corporate projects, collaborating with global brands including Tata Motors, Unilever and Cisco, as well as leading publishers and studios such as Audible, Penguin Random House and Podium Entertainment.
My voice is often described as warm, natural and engaging, with the ability to move effortlessly between light, conversational reads and more grounded, sincere or authoritative tones. My Anglo-Indian heritage, combined with my Australian background and years living in the UK, allows me to bring a depth of cultural nuance and authenticity to a wide range of projects.
Alongside my commercial and corporate work, I continue to voice characters in animation and gaming — including Bidybabs in the global franchise Five Nights at Freddy’s, and Psyker 2 in Warhammer 40,000: Darktide.
Today, I work from my professional StudioBricks booth in Tasmania, delivering broadcast-quality audio to clients across the UK, US, Europe and Australia — with a collaborative, flexible approach and a strong instinct for performance.
Today, I work from my professional StudioBricks booth in Tasmania, delivering broadcast-quality audio to clients across the UK, US, Europe and Australia — with a collaborative, flexible approach and a strong instinct for performance.


